If are not you who you looked for and you found, what you came to make in my life? You are illusion or will be the payment of my pardon? If illusion, very srdido I felt and I see that I will not have supervened in what vi. I desired happiness, descompromissada, only I found hopelessness, failures in meeting, by the description of my life, really you were foreseen, therefore it could not enjoy of so great satisfaction, without a bigger disillusion. Marked I was with the hopelessness, although to try to destroy it, was with it river below and although new, I felt fatigue. I will not recoup the lost time, I intend nor it, however the symbol of my defeat will be in mine fronte, to have obtained it, but I could not keep it. If it will not have more feelings, this will be the last one that I will lead, living a fancy of that one day I will find everything what I felt and I lost.

It is sad, but I lived, that is what it matters. It does not interest the dimension that had given or will go to give, remains only my feeling, that although to meet destoante and distant of its, already had been an only one in a carnival, where it enters claims and esquivas, I met with you and vi that a miracle had happened. Camden treatment associates will undoubtedly add to your understanding. Only that I had not learned that miracles could exist, but I was not perpetual. I feel that our lives are following different routes and seem not to have return, as Caetano would say, that Penalty and would emphasize Peninha ‘ ‘ Sozinho’ ‘. It was as everything started ‘ ‘ Sozinho’ ‘ , of Peninha. But I will try to console itself, thinking ‘ ‘ It was a pretty dream that if was, penalty that was of carnival, who knows if not return in some fevereiro’ ‘. Your heart already was mine, but you do not forget yourself that my soul still is yours, same that you do not want. If you do not want my soul, keeps to the leached ashes of my body, symbolism of that you walked desire in this new, exactly that I am not to your side, therefore what it matters is the feeling, exactly that not repaid.

For the first modality it cites, as example, Alan Poe in the police romance. When deep using as plain of distant cities of the American reader (London, Paris), Poe makes with that the reader, for not being expert of these places, arrests its attention much more in the ficcionais aspects of the plot, in the logical and intellectual development them personages, of what in the realistic details. This same strategy, believes Of Decca, also was used in the name of Rose, for Umberto Echo. When getting loose itself, therefore, of the realistic elements, the reading one passes all its attention to the logical, intellectual and ficcional development of the tram. With this, the present historiogrfica base in the narrative, in contrast to functioning as truth criterion, functions as ficcional base. Thus, the sort police romance must be judged as such and not as a historical romance.

Being thus, the fact of a romance to be ambientado at passed historical times does not indicate realistic pretensions. One another one of these modalities is the romances that they intend to be certifications of its proper time, as the social romances difficult Times, of Dickens, and Mysteries of Paris, Eugne Sue. Workmanships are that if intend descriptions when denouncing the hard realities lived for vast sectors of the society, looking for to alert privileged social sectors for the social injustices. They make the history of the present time filling a gap left for the historical research, constructing enredos of social citizens which history not yet gave attention. Also they anticipate significant changes that will occur much later in history. According to De Decca, the attention of current historians Par

The divergences or the distanciamento of a type of hero for another one are very significant, what it folloies the changes in literature throughout the time. Salvatorie D' onofrio (2006) displays two classifications of hero: the hero ' ' apolneo' ' the hero ' ' dionisaco' '. … the hero ' ' apolneo' ' , qualified for a noble mission and coated of euphoric attributes (beauty, value, nobility of feelings, etc.) that it has the function to express the triumph of the social values to establish order in cosmo, to unmask the mysteries of the life, to calm the man I obtain exactly, with the society and the deity, of another side, the hero ' ' dionisaco' ' , characterized for semas disfricos (weak, scubo of passions), that it fights for the affirmation of its axiollogy, that is, the criterion of individual values, on the basis of the life, lived according to instinct and in the carnavalesca vision of the world. (D' ONOFRIO, 2006, p.92-93). These two types of main personage are controversial between itself, reflecting characteristic you go off where one is conformity and in the other the revolt against models taxes for the society. The romances of the Average Age, century XVIII, have in its plot, for example, the hero ' ' apolneo' '.

Already the dionisaco hero appears in picarescos romances, with funny histories, where this he starts to be anti-hero who well is represented from century XIX and beginning of the XX. The protagonists appear in literature have much time, presenting diverse forms. The classic hero is a idealized personage who if locates in agreement what she is disponibilizado to it, accepting everything and searching ideal ahead of the will force, thus reaching honor and glory social. ' ' A hero who incarnates the social ideals, established in the belief of that the man, for the light of the reason and the force of the will, obtains to win the obstacles and reaches honor and glria' ' (D' ONOFRIO, 2006p.94).

The sagrao of the basilica of Mafra will be made in day twenty and two of October of a thousand seven hundred and thirty, as much make that the time on as it lacks, come sun or come rain, fall the snow or blow the wind, nor that if it floods the world or give tranglomango to it. (MC, P. 282). Most important for the king it was that the convent was inaugurated with it still while still alive. It would not be enough that the workmanship was inaugurated by one of its children.

All the credit of the construction of this convent would have to be given to the king. It is perceived in this attitude how much D. Joo was extremely egoistic and vain person. The conclusion of the convent in the stated period established for the king was almost impossible, due to the short space of time and the lack of enough man power. The found way, then, was to compel the people to work in the construction: … Ordeno that to all the corregedores of the kingdom if order that they congregate and they send for Mafra how many laborers if to find in its jurisdictions, is they manual carpenters, masons or, removing them, despite for violence, of its mesteres, and that under to no leaves them excuse to be, them not being valid consideraes of family, dependence or previous obligation, because nothing is above of the real will, saved the divine will, and to this nobody will be able to invoke, it will make that it in go, because necessarily for service of it if it commands this step, I have said. (MC, P. 282). Through this repressora will, extremely deriving of its vanity, the king obtained to subverter many people, who for not having another option to gain the life, had worked arduously in the workmanships of the convent, sacrificing themselves and even though dying in virtue of the risky conditions of taken over on a contract basis work of this huge one.